Weekly Posting, May 8th, 2020
On May 8th, 1947, Charlie Parker (Bird) entered Harris Smith Studios for his “homecoming” recording date for Savoy Records, the first since his return to New York City on April 7th. Bird was in robust health, free of his heroin addiction, and filled with ambition. At long last he had assembled the quintet of his dreams, and he was bringing in two extraordinary new compositions. Three out of the four songs recorded that day were destined to become classics. And yet the performances are vexed in ways that are difficult to account for. All we can do is guess. It’s … Continue reading Weekly Posting, May 8th, 2020
