Short and illuminating From Randi Hultin’s book “Born Under The Sign Of Jazz” “I was a close friend of Parker’s during the time I lived in California and went to high school – this was in the forties, just after he left Dizzy Gillespie. Addison [Art’s twin brother] and I had rented a big room to practice in, and Charlie Parker used to come there often – sometimes to get away from people, and other times because he didn’t have anything else to do. We used to go to the movies together, but nobody had any money, so we waited … Continue reading An Art Farmer story about Charlie Parker

On August 8 1951, Charlie Parker recorded 4 sides for Norman Granz and Clef Records, with Red Rodney, John Lewis, Ray Brown, and Kenny Clarke. One of Bird’s tunes was titled “Swedish Schapps.” On September 10 1953, Gene Krupa recorded 8 sides for Norman Granz and Clef Records, with Charlie Shavers, Ben Webster, Bill Harris, Teddy Wilson, Herb Ellis, and Ray Brown. The band recorded a Charlie Shavers original entitled “Swedish Schnapps.” [Curiously, this recording seems to be in concert A major. Either Clef was careless about issuing it at the correct speed or Shavers wrote in a most unusual … Continue reading A Double Schnapps

Here’s a mid-century New York City story, one of many where Bebop and Modern European concert music share a moment together; both kinds of music were enjoying some vitality in New York during the early 1950s. Bird plays a supporting role here in a remembrance that’s primarily about composer/pedagogue Stefan Wolpe. During this era Wolpe had several composition students who were active in the Jazz world: George Russell, John Carisi, Eddie Sauter, Bill Finegan and others. Clarinetist/raconteur/all-around-hep-cat Tony Scott fills us in: “Stefan was my teacher and dear friend.[…] and we had some wonderful times together. I lived at 81 … Continue reading Tony Scott: Stefan Wolpe and Charlie Parker cross paths

From late 1949 to the end of his life Charlie Parker consistently played an unusual bronze metal saxophone mouthpiece marketed by the London branch of the Selmer Musical Instrument Company; mouthpiece historians call it the ‘Selmer London ff’ model.’ It was probably made by another company but stamped with the Selmer London name – something called a stencil in the musical marketing world. The main Selmer Company based in Paris had nothing to do with this peculiar model; it apparently was only made for a few years. What did it sound like? For an answer, listen to Bird’s incredible rich … Continue reading That Mouthpiece

In the early 1950s, a jazz disc jockey named Leigh Kamman had a show on WOV in New York City called, “The 1280 Club.” One day while on the air he called Charlie Parker at home for a surprise impromptu interview. The audio of this new interview surfaced on YouTube recently and what a treat it is to hear! Out of the blue, in this painful and difficult year 2020, we get a loud and clear message from Bird about an artist’s priorities . It’s critical to know how this interview fits into the context of Bird’s life. From 1952 … Continue reading A Breath of Fresh Air from 1954! or, Bird Gives You a Summer Listening List

Charlie Parker is the subject of a graphic novel by Dave Chisholm that will be released in September by Z2 Comics. It’s called “Charlie Parker – Chasin’ The Bird – Charlie Parker in California” and it will be available in … Continue reading A Very 21st Century Validation for a 20th Century Musical Innovator

The following is the second half of Addie Parker’s remembrance, as told to Robert Reisner, with some reordering for clarity. The Gospel of Adeline, Part 2 Charles always thought he could make it in Kansas City, but after he and Rebecca disagreed he had to leave and went to Chicago for a while and from there to New York. He was in New York when he took those drugs..Charles’s father died when he was 17. We had been separated for years. Some lady stabbed him during a drunken quarrel. I got a hold of Charles and brought him home for … Continue reading Weekly Posting, May 1st, 2020

For the next two weeks, I am going to step aside and let Addie Parker do all the talking. As hinted at last week, her jumbed remembrance after Bird’s death males a fascinating mini-biography. I had to rearrange her words to make her story more linear. It’s possible that she was in a state of mild dementia at the time she was interviewed, because she veers from topic to topic, constantly tangling up the timeline. This would make her a somewhat unreliable narrator, and there are discrepancies between her version of events and documented facts, although nothing serious. Due to … Continue reading Weekly Posting, April 24th, 2020

On Thursday, April 20th, 1950, Addie Parker, graduated from the National Schools Institute of Practical Nursing in Kansas City. Charlie Parker (Bird) speaks of his mother’s achievement with pride in an interview recorded not long afterward, an excerpt of which is presented along with today’s musical offering. The circumstances are informal and Bird uses his natural speaking voice, setting aside the accent he affected for bandstand announcements and radio patter. Regrettably, the interviewers are squares of epic proportions who largely waste this invaluable opportunity. The following transcription of the excerpt in question gives some indication of the stilted atmosphere they … Continue reading Weekly Posting, April 17th, 2020

Charlie Parker (Bird) must have been relieved to fly out of Los Angeles on April 4th, 1947, doubly so to be rid of Ross Russell. Russell provides many details about driving Bird and his future wife, Doris Sydnor, to the airport, and even about checking their luggage and watching them board the plane, but he gets their destination wrong. The flight was taking them to Chicago, not New York City. Bird had an Easter Sunday gig with trumpeter Howard McGhee on the 6th, at the Pershing Ballroom. McGhee reports that Bird made $750 for the night (1947 dollars) and the … Continue reading Weekly Posting, April 10th, 2020